shanaiakapoor
To the Bone
Feb 2025
lady windermere and lazy linen,
a whiteness comes over the morning.
bedroom as a polaroid,
this bed is hard and four-postered.
a spare leg (hers or mine) spills over-
like the crescent of an orange hanging by its string.
the sheets pucker under our form,
folds in imitation like hot origami.
while we lie naked in this fluency,
soaked in cool refrigerator light,
our limbs are stacked in a pile of leftovers–
pepsi, poultry and grou n d peanut chutney.
the light is almost clinical. i wince,
then sigh into this whiteness .
behind the glass window, a city festers,
chipping mortar like bad bones in the winter.
our mouths open like the highway, wet concrete
and bodies careless with their tyres.
we waste this quiet with words.
©All Rights Reserved
designed by Marie Spreitzer
shanaiakapoor
Writing
Publications
Photography
About
To the Bone
Feb 2025
lady windermere and lazy linen,
a whiteness comes over the morning.
bedroom as a polaroid,
this bed is hard and four-postered.
a spare leg (hers or mine) spills over-
like the crescent of an orange hanging by its string.
the sheets pucker under our form,
folds in imitation like hot origami.
while we lie naked in this fluency,
soaked in cool refrigerator light,
our limbs are stacked in a pile of leftovers–
pepsi, poultry and grou n d peanut chutney.
the light is almost clinical. i wince,
then sigh into this whiteness .
behind the glass window, a city festers,
chipping mortar like bad bones in the winter.
our mouths open like the highway, wet concrete
and bodies careless with their tyres.
we waste this quiet with words.
©All Rights Reserved
designed by Marie Spreitzer
shanaiakapoor
Writing
Shanaia Like Shania Twain
Table at a Restaurant in a City We Hate
Notes From the Interlude
Mr. Bad Bones and the Big Chimera
To the Bone
girl
Beep. Beep. Racist.
Publications
Photography
About
To the Bone
Feb 2025
lady windermere and lazy linen,
a whiteness comes over the morning.
bedroom as a polaroid,
this bed is hard and four-postered.
a spare leg (hers or mine) spills over-
like the crescent of an orange hanging by its string.
the sheets pucker under our form,
folds in imitation like hot origami.
while we lie naked in this fluency,
soaked in cool refrigerator light,
our limbs are stacked in a pile of leftovers–
pepsi, poultry and grou n d peanut chutney.
the light is almost clinical. i wince,
then sigh into this whiteness .
behind the glass window, a city festers,
chipping mortar like bad bones in the winter.
our mouths open like the highway, wet concrete
and bodies careless with their tyres.
we waste this quiet with words.
©All Rights Reserved
designed by Marie Spreitzer